Tag: Anime Conventions

Thoughts on Anime Panels in 2017

Home from Anime Boston and breathing a sigh of relief that my panels went off mostly successfully I found myself reflecting on why I do panels at Anime conventions. There are a few emotions that I had over the weekend that I’m struggling to compress before moving forward.

I enjoy doing panels but doing the same panels over and over again does start to lower the satisfaction of giving it. This was the second time doing my “When Hentai Goes Bad” panel and I presented it to a packed room of about 500 people. It was thrilling, but even though the room was bigger I didn’t get the same feeling I did when I did it the first time. My heavily modified “When Moe goes Bad” turned out to be my most satisfying panel to give because I just put a lot of work into it right before this convention.

That’s probably most of the problem. The heavy amount of work I put into “When Hentai Goes Bad” before I ran it the first time last summer probably made giving it all the more satisfying. My preparation for giving it last weekend at Anime Boston was cutting some clips and running through the notes. So ultimately I think I will always find giving new panels, or completely reworking panels, to be the most satisfying part of the work: Releasing something I worked hard on to a live audience. But at the same time I wonder how I can get that satisfaction more often. I’ve considering making more YouTube videos, going back to writing regularly, and getting out and taking more photos as key creative outlets. But I don’t do any of them enough. I want to chase the high I feel when giving a brand new panel. I just need to create more things more often.

I will continue to give panels at conventions because of the creative satisfaction it gives me to create a presentation and then immediately get a live reaction. But I need to think of new ways to channel that desire and to create more often. After all, just doing two or three conventions a year is far from enough.

Some advice I can offer to new panelists or people wanting to start:

Nothing is Ever Perfect 

What prevents me from blogging a lot is that I keep going over a piece that I’ve written until I’m satisfied. This forces me into a kind of paralysis and delays posting completed works for weeks at a time.

This isn’t limited to writing either. I find myself doing it with videos and photos that I finish editing, then let sit without doing anything with because something in me wants to keep working on it. I’ve forced myself to post things more often and to quiet that voice, but sometimes it’s overwhelming.

The thing about panels is that there is a hard deadline: The day of the event. And the act of presenting the panel is an act of creation in the moment. Once a sentence leave your mouth, it’s delivered to the audience and can never be taken back and re-edited. As a creator it’s a refreshing exercise.

That doesn’t prevent me from analyzing the situation afterwards which can still create anxiety. But the creative piece is done.

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Anime Boston 2015: A true celebration of geek culture

Anime Boston 2015: A true celebration of geek culture

Anime conventions carry almost the opposite culture of a Megacon like PAX East, and Anime Boston is one of the best examples of the perfect fan convention. Yes, there are big anime companies who take up a large amount of space in the dealers room and have some of the largest panels at the convention, but the control and presence of those companies is easily drowned out by fan and convention culture. Anime Boston is purely a fan convention. The majority of the programing is created by fans, the tone is dictated by the fans, and the atmosphere is generated by the attendees absolute love and passion for their hobbies.

Anime conventions stopped being about anime a long time ago and I’ve written about fan convergence and sat on panels discussing it. Anime Boston still has mostly anime programing, a mostly anime themed dealers room, and it does of good job of maintaining the theme of the convention. But, being a fan run convention, looking around at what the fans are cosplaying and listen to what they are talking about is where the true culture of the convention arises. The dealers room features a ton of anime themed art but sitting along side it are League of Legends prints, Steven Universe, American comics, and a ton of other representations of pop culture. You can see the same mix of interests among cosplayers, and even in the dealers room. The majority of the sales space is dedicated to Anime merchandise but scattered among the booths are Video Game and US Comics toys and collectables, board games, art supplies, and a booth giving out samples of Mountain Dew’s newest beverages . Anime Boston’s dealers room space is so big and the taste of their attendees so diverse that you can turn one corner and be surrounded by Anime plushes and turn another and feel like you are in an entirely different place. It’s the greatest nerd flee market in the world, second only to Otakon.

We currently live in a world where Nerd culture has become pop culture. Fans who have used their love of Marvel comics as an identity for all their lives suddenly find themselves surrounded by millions of fans. Millions of dollars are being thrown into marketing to make sure everyone knows who the Guardians of the Galaxy are. So much of the comic con culture is dominated by who owns the biggest booth, who has the best celebrities show up, and who spends the most money. An anime convention is a place where people can celebrate whatever they wish. They don’t have to be steered in one direction or be drummed up by sales people to overhype the next blockbuster film. The fan convention is something alien to the normal public. It’s where the hardcore fans, the people who can still be classified as nerds for liking nerd things because of how much time and energy they put into it, can express themselves and be celebrated for that expression no matter how obscure. It’s an absolutely beautiful thing to be a part of.

But the show is still about anime. There are critics who point out that while anime conventions are attended well most of the fans there consider anime a secondary hobby to something else. Be it gaming, or Marvel movies, or a hundred different things: that is where the feeling of the fan convention truly takes over and develops. Anime in the title gets people in the door, once the fans are inside it’s up to the individual how they wish to express themselves. Anime is a weird beast that way because of how diverse the content actually is. It draws people who have wildly different interests together under the same banner.


The feeling of Anime Boston can be summed up by the Jojo’s Bizarre adventure panel that I attended. The panel wasn’t very good, it was a half hour of basic information on the show that I could have gotten from Wikipedia and the second half of it was calling fans onto the stage to make silly poses. However, the majority of the attendees loved it; shouting along and cheering. They most likely knew all the information being presented, yet they still cheered: Because someone was talking about Jojo’s. That’s really all it takes for anime fans to feel like they belong. Anime fans so rarely can connect with people about their hobbies that to see a few hundred people sharing their passion is overwhelming.

The one great change I saw to this year’s Anime Boston was a bristling Video Game room. Touho, ahead of it’s North American release, had hosted six machines to allow fans to try it or show off their skills. There were Katamari tournaments, a constantly running eight player Smash Brothers game (that I truly regret not taking part in) and every one who was playing was having a fantastic time.

Which is a theme to Anime Boston: Everyone looked like they were enjoying themselves. From those screaming fans in the Jojo’s panel, to the groups of Cosplayers doing photoshoots, and even the exhausted bundle of teenage girls laying on top of each other in the mall corridor. Every one looked satisfied. Every one looked like they belonged.

I’ve reviewed and talked about Anime Boston four or five times now. Nothing is too different. It feels like coming home every time I go back. Most of the attendees are awkward teenagers, some of them are scary sexless thirty year olds. But they are my people. They will always be my be my people, no matter how much I believe to have out grown them.

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The Death of the Anime Convention: Goodbye New York Anime Festival

Today New York Comic Con announced that New York Anime Festival will no longer exist. Attendees of the convention weren’t surprised at the news, but disappointed. This means that there is no large anime convention in New York City! How insane is it to think that the most populated area in the country lacks an Anime Convention?! How did this come about? Some of us had hope when they announced the merging of the two conventions, but it was quickly clear that the two cultures couldn’t co-exist.

Attendees of the past two New York Anime Festivals have been more than vocal about how dissatisfied they were with the event. In 2010 the event was shoved into the basement of the Javits convention center, quarantining anime programing; artist alley; and the mass of anime fans away from the pop culture convention going on above. It was a suitable solution to the problem of combining the two conventions, but no one was completely happy. In 2011 fan run anime panels were nearly abolished entirely while the artist alley was moved to the top floor of the Javits center. The “anime ghetto” returned and it was clear that the two conventions would never be able to live side by side. While anime’s presence at the convention grew ever smaller, the convention itself was bursting at the seams with people interesting in comics and the other pop culture events going on. The tiny anime convention that happened inside the massive New York Comic Con went by unnoticed by the majority of attendees.

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